Lightning in a Bottle: The Art and Legacy of Trevor von Eeden Chloe Maveal Taking a look through the artwork and career of Trevor von Eeden, a comics art legend seldom given credit where it is sorely due
Of Mobile Suits and Origins: The Self-Reflective History of Gundam Justin Harrison Writer and critic Justin Harrison discusses the extensive and self-referential history of long-running Japanese scifi series Gundam
How The Witcher Has Become the Best Live-Action Adaptation of Hellboy Kyle Pinion Unpacking the similarities between Netflix's The Witcher and Mike Mignola's Hellboy
Sanctioned Buffoonery: Why ‘Justice League International’ is Still The Comic We Need Chloe Maveal Diving into why Giffen and DeMatties Justice League International is the lightness comic fans are deserving in these dark times.
The Only Hope of Salvation: Omega the Unknown and Finding Yourself in the World Around You Hagai Palevsky Critic Hagai Palevsky talks both the 1976 and 2007 iterations of Omega the Unknown and finding one's self within an otherwise untethered world.
Unlimited Color: The Force Behind Cam Kennedy’s Star Wars Art Chloe Maveal When it comes to Star Wars storytelling across comics, few can contest with the artwork of Cam Kennedy
Sinking with The Ship: On The Empathetic Filmmaking of James Cameron Elyse O’Dwyer The real key to compelling action in James Cameron's Aliens and Titanic? Empathy.
Perfect Relationships Don’t Exist: A Chaste Romance in “The Bishop’s Wife” Tiffany Babb Tiffany Babb discusses the 1948 film The Bishop's Wife and the rare avenue it gave to passion outside of the responsibilities of marriage.
What Makes a Cult Movie? (And What’s That Watermelon Doing There?): A Look Back At “Buckaroo Banzai” Keith Roysdon What makes a movie a success? What makes a movie a cult movie? Keith Roysdon unpacks why Buckaroo Banzai fits both bills.
Hallelujah, Holy Shit, Where’s The Tylenol: How Lockdown Has Turned Me Into Clark Griswold Chloe Maveal It's undeniable that holiday in lockdown have brought out the Clark Griswold in us...but that may not be a bad thing!
And To All A Good Knight: On The Connection Between Batman and Christmas Michael Ruffino Batman has been a staple of Christmas comics since his conception in the 1940s. But why does the character lend himself so well to the holiday season?
There Is No Better Present: On Capitalism in Christmas Stories Sean Dillon Sean Dillon discusses the reason for the season behind many Christmas stories: capitalist greed!
